Few recent films scratch an itch like MEGADOC. Whatever the cinematic value of Mike Figgis' documentary––and accounting for ...

Paul Thomas Anderson is taking another strike at Thomas Pynchon in One Battle After Another, a modern-day reworking of the ...

Comprising 48 titles from 28 countries, this year’s Short Cuts program at the Toronto International Film Festival doesn’t ...

The Smashing Machine is a movie with a lot of heart and soul. It’s also a movie with great love for its subjects: the people involved and, for better and worse, the industry they helped build. It's in ...

Billy Crudup is one of our truly great actors. Early into Jay Kelly, written by Noah Baumbach and Emily Mortimer and directed by Baumbach, Crudup appears for a one-scene turn that jump-starts the ...

With the summer movie season now quietly winding down, fall is upon us. As we do each year, after highlighting the best films ...

After highlighting the 50 must-see films confirmed to be arriving in theaters this fall, we turn our attention to the ...

Hamnet is a great work of empathy and the best film Chloé Zhao has made by quite a wide margin. Adapted from the 2020 novel by Maggie O’Farrell, who returns here as co-writer, the film serves as a ...

After premiering her documentary feature GES-2 at the Venice Film Festival in 2021, Nastia Korkia returns to the festival ...

The films of Mark Jenkin ooze a hypnotic, seasick sensibility; to watch them is to be lulled by their restless jumps through time and space, their ability to convert his home turf of Cornwall into a ...

NYC Weekend Watch is our weekly round-up of repertory offerings. Museum of Modern ArtA series on New Orleans before, during, and after Hurricane Katrina includes Déjà Vu on 35mm; the Michael Caine ...

Casting news rarely (never?) resounds like word of Daniel Day-Lewis' return. Eight years since an ostensible retirement with Phantom Thread, he's both reemerged (likely from a dress-making or ...