Most editors approach color as a clip-by-clip task. That model works for simple timelines, but it does not scale. Every ...

The three new hard reflectors for Profoto flat front strobes and point-source LEDs are designed to push your output further ...

The first half of the year was action-packed for After Effects, with months of big features, AI and freemium competition, and ...

Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition The dreaded question: “Where are clips just like ...

You have ninety layers in a composition. They all need to move, but they can’t all move at once. Instead, they need to arrive ...

The Insta360 Luna Ultra has arrived. It’s Insta360’s answer to the DJI Osmo Pocket 3 and Pocket 4 (which isn’t legally ...

By popular demand, Profoto introduces three extra-large Profoto Softbox options—5’ Octa, 4×6’, and 1×6’—available in white ...

Tested during a live event production at Nürburgring, FreeSpeak Cell demonstrated its ability to deliver reliable, ...

The new Leica SL3-P is suitable for demanding film productions but also for high-quality hybrid workflows as it allows ...

Certain confused and disoriented States (including California and several others) have legislated for forced espionage ...

The AI-powered Media Manager created by CYME introduces Relay mode to simplify remote workflow without moving media to the ...

Adobe has announced that it’s acquiring Topaz Labs. Anybody in post-production knows Topaz as create some of the best video ...